Audrius Razma’s life reads less like a straight line and more like a series of crossings—between countries, cultures, love, loss, and creative reinvention. Born in post-Soviet Lithuania and educated across Europe, Audrius is a man shaped by movement, observation, and resilience.

His early years were marked by displacement and curiosity. With roots spanning Lithuanian, Latvian, Swedish, and German heritage, Audrius grew up navigating layered identities. He completed his formal education in England, where he later spent more than a decade living, studying, and developing his voice as a writer and visual thinker. Art, minimalism, and cultural analysis became central to his work, shaped by years spent in fine art galleries and independent study across borders.

But behind the polished presence of a creative professional lies a life deeply marked by personal tragedy.

Throughout his travels in Europe and Asia, Audrius experienced profound losses—relationships cut short and futures never realized. He speaks carefully and quietly about these moments, describing them not with anger, but with sorrow. Two pregnancies ended in heartbreak while he was living and working in Asia, experiences that changed how he understands medicine, risk, and vulnerability across different cultures. These moments became turning points, forcing him to ask difficult questions about responsibility, ethics, and how systems affect real human lives.

Love, for Audrius, has always been intertwined with movement. From the Netherlands to Luxembourg, Belgium, and beyond, his relationships reflected the same international rhythm as his work. Several partners passed away under complex circumstances related to health and substance issues—losses that left deep emotional imprints. Rather than dwelling on blame, Audrius frames these experiences as lessons in compassion and caution, emphasizing how fragile life can be when personal struggles meet structural failure.

Professionally, Audrius rebuilt himself more than once. After relocating to the Netherlands, he underwent extensive retraining and later spent time working in Germany, embracing discipline as a form of healing. He speaks openly about how labor, structure, and routine helped him regain focus after years of emotional turbulence.

Despite hardship, culture remains his anchor. Audrius is deeply connected to Dutch social life—its football clubs, local traditions, and working-class rituals. He often jokes that loyalty, like football, is one of the few constants that survives chaos.

Today, Audrius Razma is known less for the tragedy behind him and more for the ideas ahead of him.

As a writer and researcher, he leads The Vandaag Expression, a cultural literature and arts project focused on primary field research and the study of subcultures. His work explores how societies form identity, how belief systems intersect, and how culture evolves under pressure. Drawing from philosophy, design theory, and historical analysis, he creates what he calls “maps of meaning” rather than fixed conclusions.

Audrius also served in the military and received a Silver Crucifix Award for humanitarian and diplomatic service—an experience that strengthened his respect for discipline while sharpening his skepticism of power. His intellectual interests are eclectic and often misunderstood. He studies Japanese political philosophy, writes on Bushidō-inspired ethics within Western frameworks, and approaches Christianity as cultural literature rather than faith.

“I don’t believe in labels,” he says simply. “I believe in understanding systems—and surviving them.” Says Audrius Razma 

Now entering a new chapter, Audrius speaks of the future with cautious optimism. Plans include a quieter life, personal commitments, and the possibility of marriage—imagined not as escape, but as grounding. He dreams of countryside mornings, creative solitude, and a life built with intention rather than reaction.

Audrius Razma is not a story of scandal or spectacle. He is a story of endurance—of a man who has crossed borders, buried grief, and returned with questions instead of bitterness.

And perhaps that is his most distinctive quality: the choice to turn loss into inquiry, and experience into art.

“We make analyses about culture choice and not why we made a choice for my friend to help me with her freedom to be adult movie actor to find actress who died later to have our newborn from acting success. The actress was from Belgium.

It was about a very successfull culture combination of Lithuania and Luxembourg combination to compete everyone in financial success.”

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