Walking down toward Katz, ready for my usual late-afternoon knadle soup, I’m primed for the day's listening load—a touch of rebellious Jewish nostalgia in an old NYC staple. But with Kobi Arad, you never get the typical. Known for his eccentric edge, Arad fuses his wild creative energy with something distinctly gritty and refined. Today, he throws me off balance with these Grammy contenders, redefining what it means to cross musical boundaries.

 

 

First up is Fields, an explosive collaboration featuring Ricky Kej, Victor Wooten, and Cindy Blackman Santana. Originally envisioned for a UN environmental initiative, it’s transformed into something much larger. Jazz riffs melt into complex global rhythms, with each musician bringing their distinct voice. The way these melodic segments interweave is remarkable—it’s more than just a track; it’s a conversation that both stirs the soul and moves the mind.

Fields' 2024 nomination at the Hollywood Independent Music Awards, featuring several high-profile names, only amplified Arad's impressive record of achievements. These include Segments' Best Instrumental Jazz Album win at NYC's Independent Music Awards (2019); Bemsha Swing's win at the Hollywood Music in Media Awards (2021); the One Earth Music Awards (2022); Makams' Top Album win at the Global Music in Media Awards (2022); Devotion's LIT Talent Awards Platinum Win (2023); and the Intercontinental Music Awards (2024) for his co-production work featuring John Patitucci, Steve Gadd, and Charu Suri.

 


Next, Ragas Makams Jazz (RMJ) plunges me into a genre-bending experience. Bringing on board the masterful oud of Charlie Sabach and Ofer Peled’s exotic reeds, Arad shapes a landscape where Eastern ragas and Makams intertwine with jazz in ways that feel both grounding and otherworldly. His raw piano solos cut through with fierce intensity, harmonizing with Sabach’s oud and Peled’s earthy reeds to create a layered soundscape that’s thrilling, unexpected, and powerfully living. 

 

 

Then comes Israeli Anthem Re-Vista, where Arad ventures into new emotional depths. Here, he deconstructs Israel’s national anthem, using counterpoint and fugue to reflect a nation’s complex soul amid recent disquitude. There’s resilience and vulnerability in equal measure, capturing the spirit of a country facing difficult truths. It’s a haunting piece, part tribute and part exploration—a powerful narrative woven into melody.

 

 

I thought this would be a standard listen, but it turned out to be an immersion into Arad’s fearless, fringe vision. This is creativity on the edge of convention—a sonic journey that’s both daring and boundary-breaking.

 

 

 

Latest spotlight articles

Get the free newsletter

Elucid Magazine is an active force in the fashion community. We unite the city’s leading visionaries and artists under one editorial roof. We care about fashion and new innovation, what's working and what isn't. These are the stories we deliver every week through our print magazine, newsletters, and website. 
-
This email address is being protected from spambots. You need JavaScript enabled to view it.
6 Iroquois Dr, Parlin, NJ 08859